Art for Sale

photo, patricia laplante collins, grace teshima Patricia and Grace, the Dinner Junkies.

Nearly Free Pistachios

by Ric Erickson

Paris:–  August:–  Tuesday:– With all the people leaving town and the bakeries closing, I was wondering when I was going to get a summertime feeling. It finally hit on Tuesday when it looked like there was going to be gorgeous sunset. I caught the evening weather futures on France–2 TV–news and then jumped on the métro and rode down to Cité just in time to the see the sky over the westward Seine extrude from blue into orange peel, looking a bit like a diffracted Mars.

Cruise boats armed with bright lights plunged downstream through rippling inky blue waters, disappearing under bridge arches. A late pink glowed on the right bank's Paris–Plage and the drummers tapped their beats while the imported palms hung still, probably tired after a hectic day. The same pink but fainter was painted over the seawall on the tip of the Ile Saint–Louis, above a crowd of sundown fanciers, listening to free music wafting across the river from the yellow–lit beach hidden in the trees.

Another, smaller crowd, had camped on a stone riverside ramp on the south side of the island, without music and without the sky's pinkness. Behind Notre–Dame, a black silhouette with spires and arching supports of filigree, there was one open café, lit with yellow light, a lone beacon in the falling darkness. The cathedral settled in the night.

photo, linda mccluskey, paintings Linda McCluskey accepts low angle.

On the Quai de Montebello under the restless trees beside the closed bouquinistes the lights began to come up. The sky went deeper and deeper and the orange in the west faded to a thin line and then there was a couple of empty beats when you thought it's all over, and then the lights started to glow, and then the cathedral began glowing too. It happens all over the city, in different ways, all year.

Chez Grace – "Dinner Junkies!"

Wednesday:– The phone rang and it was Uncle Den–Den, calling to propose that we go to Grace Teshima's art exhibition together. Grace sent me an email too, but the invitation was for Saturday. The uncle said he couldn't go then and preferred Wednesday. Later I saw Matthew Rose and he told me about it too, and asked if I wanted to go there on his scooter. Uncle Den–Den and Matt were feuding and I could see no good coming from this.

Later, at the café Rendez–Vous uncle told me he was going to challenge Matt to a duel and he wanted me to be his second. He said that he's forgotten to bring a card, to give to Matt's second, or a glove to slap in Matt's kisser. This wasn't very Daguerréotypistalike. I started hoping that Matt's scooter would conk out.

The métro ride up to Abbesses was unremarkable and the speed of the elevator lift out of the métro hole was as boringly slow as ever. On the surface the sun was a couple of hours short of sunset and most of the sidewalks were lined with café terraces, filled with the usual casual souls – who were not actually posing for typical 60s postcards.

photo, chiaki matsumoto, canal & company Chaiki wields grape knowledge.

Den–Den knew the place. But he had the door codes backwards, as opposed to mine. The three flights of stairs weren't as polished as his. There seemed to be only one apartment per floor and we could hear Grace's from the bottom. The door was wide open and we walked in.

The story as I had it then was that there were to be four artists and one photographer on show, and the exhibition would be travelling to Washington, DC later, maybe in September. There were three rooms, two with paintings and a hanging, one with photos, and Matt's stuff was in the hall, which we saw first. The kitchen contained drinks and snacks, and there were some info sheets scattered around.

It was also early. Uncle Den–Den and I weren't alone, and we met many people – over drinks in the kitchen, in front of the artworks – but many more folks showed up as the night wore on. The artists were – nearly all there – I couldn't keep track, defective who's who – Matt came last.

Uncle Den–Den told Matt about the duel. Matt was very surprised. He acted like he'd forgotten they were feuding. That was too bad because it spoiled the joke. I quit my second's job.

I overheard a lady being called Patricia. She was talking to the hostess, Grace Teshima, so I asked her if she was Patricia Laplante–Collins. Patricia used to send me emails about her get–together dinners, too late to put them in Metropole. That went on for years but we never met. She said her PC blew up and she lost her mailing list. That's why the emails stopped.

Grace and Patricia are old friends. They had a chorus, "Dinner junkies!" And then they laughed a lot, and I didn't get it. While I've been living around here for decades, taking phoos of Paris and walking around, hosting club meetings and writing reports, other folks have been having dinner parties and I have never been to any of them. I started to wonder if that hadn't changed.


Continued on page 2...
Go to page : 1 - 2
In Metropole Paris
Latest Issue
2008 Issues
2007 | 2006 | 2005
2004 | 2003 | 2002
2001 | 2000 | 1999
1998 | 1997 | 1996
In Metropole Paris
About Metropole
About the Café Club
Links | Search Site
The Lodging Page
Paris Museums List
Metropole's 1996 Tours
Metropole's 2003 Tours
Support Metropole
Metropole's Books
Shop with Metropole
Metropole's Wine
metropole paris goodblogweek button
Send email concerning the
contents to: Ric Erickson, Editor.
Metropole Midi © 2014
– unless stated otherwise.
logo, metropole sml midi logo No matter how good it tastes,
there is no such thing
as a free lunch.
Waldo Bini